{"id":7187,"date":"2021-02-03T09:21:00","date_gmt":"2021-02-03T09:21:00","guid":{"rendered":"http:\/\/noticias.centromariodionisio.org\/?p=7187"},"modified":"2021-03-15T09:23:30","modified_gmt":"2021-03-15T09:23:30","slug":"poema-quadro-1","status":"publish","type":"post","link":"https:\/\/noticias.centromariodionisio.org\/?p=7187","title":{"rendered":"Poema\/Quadro 1."},"content":{"rendered":"\n<p><br><\/p>\n\n\n\n<p>Aqui vai um dos poemas de\u00a0<em>O riso dissonante<\/em>,\u00a0que nos fez lembrar um quadro de Fernand L\u00e9ger (uma das vers\u00f5es de\u00a0<em>Les constructeurs<\/em>), um pintor que M\u00e1rio Dion\u00edsio admirava. E, curiosamente, quadro e poema s\u00e3o os dois de 1950&#8230;<br><br>27.<br>um bon\u00e9 de pala sobre o mundo<br>hirto de sombra iluminada<br>lan\u00e7a uma flor de arremesso n\u00edtida<br>erguendo bairros de frescor<br><br>sobre m\u00e1quinas novas homens velhos<br>mudam a pele \u00e0s horas oleosas<br>canta atrevido entre o fumo denso<br>das chamin\u00e9s um p\u00e1ssaro invis\u00edvel<br><br>com as blusas manchadas com as m\u00e3os manchadas<br>com o riso e a voz para sempre manchados<br>homens \u00e1fonos soltam o pren\u00fancio<br>da alegria do tempo inevit\u00e1vel<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"734\" height=\"1024\" src=\"http:\/\/noticias.centromariodionisio.org\/wp-content\/uploads\/unnamed-1-734x1024.png\" alt=\"\" class=\"wp-image-7189\" srcset=\"https:\/\/noticias.centromariodionisio.org\/wp-content\/uploads\/unnamed-1-734x1024.png 734w, https:\/\/noticias.centromariodionisio.org\/wp-content\/uploads\/unnamed-1-215x300.png 215w, https:\/\/noticias.centromariodionisio.org\/wp-content\/uploads\/unnamed-1-768x1071.png 768w, https:\/\/noticias.centromariodionisio.org\/wp-content\/uploads\/unnamed-1.png 992w\" sizes=\"(max-width: 734px) 100vw, 734px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Aqui vai um dos poemas de\u00a0O riso dissonante,\u00a0que nos fez lembrar um quadro de Fernand L\u00e9ger (uma das vers\u00f5es de\u00a0Les constructeurs), um pintor que M\u00e1rio Dion\u00edsio admirava. E, curiosamente, quadro e poema s\u00e3o os dois de 1950&#8230; 27.um bon\u00e9 de pala sobre o mundohirto de sombra iluminadalan\u00e7a uma flor de arremesso n\u00edtidaerguendo bairros de frescor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[35],"_links":{"self":[{"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=\/wp\/v2\/posts\/7187"}],"collection":[{"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7187"}],"version-history":[{"count":2,"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=\/wp\/v2\/posts\/7187\/revisions"}],"predecessor-version":[{"id":7190,"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=\/wp\/v2\/posts\/7187\/revisions\/7190"}],"wp:attachment":[{"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noticias.centromariodionisio.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}